The works of Stephen King have inspired hundreds of movies and TV shows of varying quality, but few can match the raw energy of the first adaptation of his first novel. ![]() “The Banshees of Inisherin” offers McDonagh plenty of opportunities to flex the dark sense of humor that made him an indie household name, but it becomes something truly special due to its reflections on our mortality and our futile attempts to balance ambition with personal relationships during our brief moments on this Earth. The rift between the two friends quickly becomes a hot piece of gossip on the small isle where there’s little to do besides drink, and the dispute soon threatens to tear the community apart. After years of consistently meeting for a pint in the same pub at the same time every day, Gleeson’s artistically minded Colm Doherty realizes that he can no longer stand the company of his longtime drinking buddy Padraic Suilleabhain. Martin McDonagh’s Oscar-nominated black comedy reunites his “In Bruges” stars Colin Farrell and Brendan Gleeson for a characteristically bleak portrait of a friendship that’s seen better days. ![]() The film eschews the typical “alien invasion” cliches at every turn, instead telling a poignant story about the value of analog language in a rapidly evolving world that even manages to pull off a time-based twist that doesn’t make you cringe. ![]() Christopher Nolan took an ambitious swing at the concept with “Interstellar,” but nobody in recent memory has come closer to actually achieving the goal than Denis Villeneuve did with “Arrival.” His portrait of a linguist (Amy Adams) who attempts to document the nonlinear communication method of a new alien species that makes contact with earth. Image Credit: Courtesy Everett CollectionĪt some point, every cerebral blockbuster filmmaker expresses their desire to make a movie that demonstrates how human connection is the one force powerful enough ultimately triumph over the cold, uncaring logic of science and numbers.
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